A TEASE FOR SOMETHING NEW IN 2018…
2017 HAS PASSED.
THANKS TO TEAMS, FILM FANS, LOCATIONS, SPONSORS!
SEND US YOUTUBE LINKS TO YOUR FILMS TO BE ADDED TO OUR PLAYLIST.
Thanks to all the teams for participating and Congratulations to all the Finalists and Award Winners.
Here are the results to 72 Film Fest Year 12.
|LIGHTING||Twilight Jones||Moonslaves||Laserstar||Dishwasher Safe|
|ACTING||Crowded Elevator||Gone Fission||Sub Finem||Moonslaves||Skybox|
|]CINEMATOGRAPHY||Star Wipe||Dishwasher Safe||Laserstar||Moonslaves||SRK|
|WRITING||Unimental||M Dot||Star Wipe||Moonslaves||SRK|
|AMATEUR||SkyBox||Twilight Jones||Left Hand|
|STUDENT||SRK||Carpet Wall||Sub Finem|
|PRO||Star Wipe||Laserstar||Moonslaves||Unimental||Dishwasher Safe|
|BEST OF THE FEST||Moonslaves||Unimental||Skybox||SRK||Star Wipe|
The Producers also wanted to recognize:
Avante Garde: Sub Finem
Best of the Rest: Dishwasher Safe
Audience Choice went to Crowded Elevator.
FRIDAY NIGHT PREMIERES
Weinberg Center for the Arts
All Entries Premiere.
SATURDAY MAIN EVENT
3pm – SNEAK PEEK of Sisterhood of Girls Who Won’t Date Me w/ Q/A
7pm – Finalists.
10pm Afterparty at Nido’s!
$12 One Day/$17 Both
Tickets available at Weinberg Box Office.
Buy in person to avoid online service charge.
Team Comp Tickets (number decided by registration date) are given at movie turn in or will be held at Weinberg Box Office.
OUR 2017 JURY
Michael Tully- Filmmaker
After his directorial debut, Cocaine Angel, world premiered at the 2006 International Film Festival Rotterdam, Michael Tully was named one of Filmmaker Magazine’s 25 New Faces of Independent Film. Since then, he has directed Silver Jew (2007), Septien (2011), Ping Pong Summer (2014), and is currently in post-production on his latest feature, Don’t Leave Home (2018). He is the founding editor of HammerToNail.com, a website devoted to championing ambitious cinema.
Matt Edens – Writer
In more than two decades as a writer for both broadcast and cable television, Matt has scripted everything from Saturday morning cartoons to true crime documentary series such as A&E’s City Confidential, Snapped on Oxygen and Murder Comes to Town for Investigation Discovery.
Victoria Lesiw – Editor
Victoria is a film editor and writer with over a decade of experience. She has edited multiple award-winning features and shorts spanning a wide variety of styles and genres. She recently relocated to DC from Brooklyn, NY to work with Vice Media.
Dan DeLuca – Actor
Dan wrote/produced/ directed the award winning feature “Two-Minute Heist, and wrote/produced the 2007 theatrically released film “Crazy Eights” (Lion’s Gate)d . He co-directed/produced the 5 time festival winning feature, “On The Wing,” (2015) and wrote/produced the 2017 feature “The Night Watchmen.” He has written 20 screenplays, produced, and directed a series of short documentaries, commercials, corporate videos, and music videos. As an actor, DeLuca is best known for his role as Dr. David Parenti, in the HBO series “The Wire.” Other roles include Veep, House of Cards and a string of independent features. Dan is currently producing a feature as part of “ON DECK FILMs.
John Grove – Cinematographer
John Grove began his freelance career as a Director of Photography in Los Angeles after receiving a bachelors degree in Cinematography from Columbia College of Hollywood. Grove has been at the helm of features, music videos, TV shows, documentaries and commercials. His work is defined by his composition, use of color, camera movement and versatility to light and shoot all styles of genres/ projects. Now back in his hometown near Baltimore, Maryland, he has been a cinematographer on many projects including Christmas comedy feature “Elf-Man” and gaffer or camera op on shows such as “Restaurant Divided”, “Cupcake Wars”, “America’s Most Wanted”, “Stories of the ER”, “Pati’s Mexican Table”, “Master of the Mix” and many more.
Richard Jefferies – Writer/Producer
Richard grew up in Frederick, Maryland, where he graduated from Frederick High School in 1974. After 34 years of building a career in Hollywood, Richard returned to live in the Frederick Area. During his time in Hollywood, Richard delivered 28 Feature Film writing assignments to major studios including Tron: Legacy, Cold Creek Manor (which he also executive produced) and Man of The House at Disney, Fantastic Four: Rise of the Silver Surfer at Fox, Searchers and The Bad Place at Warner Bros. Richard has done uncredited writing work on many movies including Sci-Fi features Virus, Species and Imposter. Richard wrote, directed and produced Organizm aka Living Hell, which premiered on SYFY Channel and wrote the cult honor classic Scarecrows. Richard joined Wisearce Films in 2010, where he co-wrote and produced the Christmas Comedy Elf-Man.
Rona Mensah – Actor
Rona Mensah detests writing bios. Here’s the boildown: She’s a Company Member at Maryland Ensemble Theatre, Frederick, MD She’s a radio personality with Today’s 97.5 in Martinsburg, WV. Catch her mornings from 5am-9am. She loves being a part of the 72 Film Fest and is ever impressed and amazed at the creativity and talent in the festival.
Rick Kain – Actor, Stuntman, stunt Coordinator, film maker.
A native Marylander, Rick Kain is a veteran actor, stuntman, and stunt coordinator with over 150 film and television credits to date. His most recent work can be seen on ‘The Purge-Election Year’, ‘Jackie’, ‘Miss Sloan”, ‘Legends & Lies-The Patriots’, ‘Turn’ and ‘Blue Bloods’. He has just completed production of the festival bound short film ‘Final Notice’, based on an award winning script. He is a member of SAG-AFTRA, WIFV, TIVA, Vice-Chair of the SAG-AFTRA National Stunt and Safety Committee, Mid-Atlantic SAG-AFTRA Board member, and sits on the advisory board for The Actors Center in Washington, D.C.
Matt Davies – Sound Editor
MPSE is a Supervising Sound Editor, Foley Artist and Partner at Studio Unknown in Catonsville, MD. Spanning a wide range of genres, Matt has been involved in creating sound work for Netflix Original Feature Films, Award Winning Indies, Animated Shorts, Broadcast Commercials and TV shows. Overseeing the creative team, Matt directly works with Filmmakers to draw out themes and concepts to enhance productions through sound. Matt is also an alumn and professor at MICA, where he works across multiple departments to instruct storytelling through sound, as well as designing workflows and curating Sound FX Libraries for his students.
Grey Adkins – Gaffer
Grey “just like the color” Adkins is first and foremost a regionally ranked champion at brewing pour-over coffee. He hails from Frederick, Maryland but screwing up at TJ high school found him in an amphibious ready group invasion force for Operation Iraqi Freedom in 2001, whoops! He emerged years later from the oceans and deserts of the world with a newfound love of reading to escape his reality, and a GI Bill to cash in at Towson University. Now armed with a highly, -highly-, lucrative degree in film and an amazingly understanding wife he set out to make a living in prosperous 2009 as a technician on film and television sets. He just bought a home in Poolesville, and finally feels as if he understands Homer Simpson on a deeper level. His favorite HMI lens is a stipple. His spirit animal is a dumbo rat. Favorite movie: Raising Arizona, of course. This is Grey’s first feature as a gaffer, but he’s a regular major productions in the DC area such as: House of Cards, VEEP, Jackie, Inside the NFL, and many more.
Pluraleyes and Magic Bullet Looks from Red Giant.
Free Weekend Red Epic W Camera Rental from Archai Media.
Lighting Rental Prize.
3 Year Subscription to MovieMaker Magazine.
$100 giftcard to the shops and eateries of Everedy Square and Shab Row.
Awards Designed by Roland Metal Art.
1 Day Rental (Auditions or Movie Screening) at Area 31.
24 x 36 Poster Signed by Participating Teams.
Pro 6:45, Amateur 6, Student 5:30.
Team Name (Level)Team Logo/Video?
Free Range Humans (P) N/N
LB STUDIOS (A) N/N
Large Dad Studio (S) N/Y
Team Bebop (P) Y/N
M. Dot Films (P) N/N
Too Many Cooks (S) N/N
Clam Jam (S) N/Y
Sub Finem (S) Y/N (need new one was just logo)
KANTY DO IT Films (A) N/N
Montressor Media (A) N/N
The Collective (S) Y/Y
Starwipe Films (P) N/N
Stepdad Productions (P) N/Y
Epica Productions (S) Y/N
Creamed Productions (S) Y/Y – reg not complete.
Demon/Angel (A) Y/Y
Film 2-7-5 (S) Y/Y
Roaring River Productions (A) Y/Y
Never Shut Up Productions (A) N/N
Wolf House (A) Y/Y
Shrug (P) Y/Y
The Salt Incident (S) N/N
Weapons Grade Geranium (A) N/N
R&R Productions (A) N/Y
Fractal Edge Studios (P) Y/Y
Couch Money (A) N/N
Noticeable Grain (P) N/N
Dishwasher Safe (P) Y/Y
Twilight Jones Productions (A) Y/Y
EEG Productions (A) N/N
Left Hand Films (A) Y/Y
Gone Fission Films (P) Y/Y
Meraki Pictures (S) N/N
Ah Muh Face! (A) N/Y
Levi & Squad (S) N/N (was 37 seconds long)
Laserstar (P) Y/Y
One Way Productions (A) Y/Y
White Noise (S) Y/Y
Moyst Productions (S) Y/Y
Moonslaves (P) N/N
Carpet Wall Productions (S) Y/Y
Bright Boy Alert (A) Y/Y
The Comedy Pigs (P) Y/Y
Crowded Elevator Pictures (P) N/N
Pecos Bill and the Wranglers (P) N/N
Flatdog Media (A) N/N
Wildcat Studios (S) N/N
Brigand Filmworks (A) Y/N
SRK Video (S) N/N
Skybox Productions (A) N/N
Film.Lovables (P) Y/Y
Exit Music (A) Y/Y
Ophiuchus Pictures (A) N/N
Unimental (A) N/N (going pro)
Missing Link Cinema (P) Y/Y
2017 Frequently Asked Questions:
October 5th 6:30pm-9pm. Launch Party at Cafe 611.
October 8th 7-9pm. Films Due Online or at Area 31.
October 13th – 6:30 Student/Amateur Block 8:30 Amateur/Pro Block.
October 14th – 3:00pm Sneak Peek. 7pm- Finalists/Awards.
October 14th- 10:30pm AFTER PARTY at NIDO’S
Price: $12 per day. $17 for Both. Tickets available at Weinberg Box Office.
Download 2017 FilmMaker Packet– Includes All Releases,Terms Conditions and Official Entry Form Due at Movie Turn In.
Criteria (To be posted 10.5.17)
WHAT IS 72 FILM FEST?
A Time Based Competition where filmmaking teams have only 72 hours to write/direct/edit and score a short film (5-7 minutes) based on specific criteria given out to each team. Perfect time to step up and make a movie!
SO WHAT IS THIS CONTEST EXACTLY?
On a Thursday night in October (10.5.17) Filmmakers from around the region will collect at the LAUNCH PARTY at CAFE 611, eat food, partake in some drinks and mingling, enjoy the musical performance by CHESHI, and await the hosts MIKAEL JOHNSON AND DOUG POWELL to take the stage and begin giving out criteria.
HOW ARE YOU ANY DIFFERENT FROM OTHER CONTESTS LIKE THIS?
Everything shows under the same roof in one glorious night. No two filmmakers have the exact same criteria. We base our criteria around an overarching theme. Past years we’ve given Binary (Opposites), two Hollywood movies to mash-up, a Science term to draw inspiration, a “fairy tale”, a polaroid, first lines of novels, and even international proverbs like “The important thing is this: To be able at any moment to sacrifice what we are for what we could become.” This year is constellations.
DO I HAVE TO BE FROM MARYLAND TO PARTICIPATE?
No. If you cannot make it to the Launch Party in Frederick Maryland, you will receive your criteria online at 10pmEST on Launch Night 10.5.17 and will need to upload your film by 10pm EST Sunday Night 10.8.17
CAN I JUST WAIT UNTIL THE LAUNCH PARTY TO REGISTER?
No. Registration is closed for 2017.
WHY DID YOU CUT OFF REGISTRATION?
In our current format we play every movie Friday Night, so we have to limit the amount of teams to ensure that night doesn’t go too long. We also don’t want to cut teams films maximum time too short as that would be a semi-penalization. In the future we may spread Friday Night out onto Thursday or Saturday to accommodate more teams.
WHERE DO I TURN IN THE MOVIES?
Films must be turned in between 7-9 pm Sunday, Oct. 8th, at Area 31 – 31 E Patrick St Frederick, Maryland OR ONLINE. We will take GOOGLE DRIVE, DROPBOX, COPY, and other cloud storage links. We must be able to download the link in it’s entirety by 9pmEST. We will accept entries for Friday Night screenings up until Monday Oct 9th 9pm, but it will be late and will not be judged.
WHAT IF I’M LATE? DO YOU ACCEPT SCREENING COPIES?
We will accept late entries/screening copies at Area 31 or online until Monday Night at 9pm (10.9.17). NOTE: Any film that is late, or has a screening copy turned in is ineligible for Audience Choice Award. It is unfair to those that turned in on time.
WHO ARE YOUR JUDGES? HOW DOES IT WORK?
We have judges that have worked in various parts of the industry both in front and behind camera as well as academics. They judge various aspects of each film including the ones we recognize with awards (writing, cinematography, editing, acting etc…) as well as overall quality of the film (does it work). Check out our Jury Tab above.
WHY DO YOU CLUMP US ALL TOGETHER FOR THE AWARDS?
1) This is a good question. The gist of it is we don’t have the budget to give out 3X the prizes. Maybe one day, when we’re all famous and sipping Courvoisier. 2) We believe that everyone has the ability to make a good film regardless of equipment, and while certain awards are difficult without Professional equipment (Cinematography), we see top notch films in other categories. In the past Amateur films have won the Fest and there have been students that have gotten REALLY close.
WHY NOT BREAK OUT THE STUDENT/AMATEUR/PRO INTO DIFFERENT SCREENING BLOCKS ON DIFFERENT DAYS
We have thought about doing this, however for now we believe this will cause a reduction in audience for the Student/Amateur films blocks. Part of the learning process is having an audience, and no where else are you going to get 500-600 people watching your film giving that instant feedback that can help a student/amateur grow. Also there is nothing else like Friday Night…the long haul through every entry is part of 72’s charm (or so we’ve been told). This may have to change to accommodate more teams.
I’M A WRITER (ACTOR/GENIUS ETC…) AND I DON’T HAVE A CAMERA BUT I REALLY WANT TO BE INVOLVED.
Feel free to use our FaceBook page. If that still doesn’t work, come out to Launch and we’ll try to match you up with someone.
WHY DO YOU CALL IT FILM FEST WHEN EVERYONE SHOOTS ON VIDEO?
72 Video Fest sounds stupid.
I’M UNDER 18 YEARS OF AGE, SO CAN I STILL COMPETE?
Of course you can. All we ask is that you bring a legal guardian with you on the night of the Launch Party to sign the waiver forms on your behalf. Make sure your parents know that movies can range the gamut from G to R. The parent or guardian must be willing to take responsibility for your team in the same way a Team Leader would.
I HEARD TEAMS GET SOME FREE TICKETS. MY TEAM IS LIKE 80 PEOPLE LARGE. HOW MANY OF THEM CAN GET IN FREE TO THE FESTIVAL?
We don’t limit team size, but like past years, we give out two 2-Day tickets per team (more if you register early). That’s a $34 buck value back at you.
WHY ARE YOU CHARGING ME FOR MY TEAM MEMBERS TO WATCH MY MOVIE?
This festival isn’t cheap to pull off. We’re all volunteer workers behind the scenes and still most years we only break even. Since we don’t have a big sponsor like Popcorn or Soda or Shoes we gotta make due. Costs include Weinberg Rental, Posters, Programs, Awards, Prizes (other than those sponsored), and other boring administrative stuff. It’s a labor of love that wouldn’t survive without you, but also wouldn’t survive if it was just a free party for all involved. Besides- it’s cheaper than a ticket to the movies and you get to share a unique experience with all of your peers.
HOW LONG CAN MY MOVIE BE? DO CREDITS COUNT TOWARDS LENGTH
Credits do count to your total length. Your maximum time will be assigned at the Launch Party or posted online with your criteria. Please include 6 frames of black after your credits/film.
WHAT FORMS OF MEDIA DO YOU ACCEPT THE ENTRY ON?
HD or SD H264 Quicktime Mov or MP4 with AAC sound (not PCM). 720p is our Preferred File. This may change in 2018 (fingers crossed).
WHAT IS YOUR RULE ON RELEASES?
You need to get location, talent and music releases (see releases above). You must turn in all TALENT and MUSIC releases with your film on Sunday Night.
DO I NEED A LOCATION RELEASE FOR PUBLIC PROPERTY?
No, but you may need a permit. You are not required to turn in proof of a permit.
WHAT IS THE RULE ON COPYRIGHT?
We need you to have rights to your image and music. We understand not all of you are able to create music for your films, but there is enough in the public domain to score your film (or you can negotiate rights from content owners). Submit the proper releases with your film. Using copyrighted music may prevent you from being screened and judged, included on our website and will prevent you from being included in our compilation DVD available on Amazon/Wonder Book and others.
CAN I USE SPECIAL EFFECTS or STOCK FOOTAGE?
Sure. We ask that all creative elements (other than music) are created within the 72 hour period. It’s possible to use various filters and editing tricks to get some canned VFX into your movie but no filming should be done outside of the weekend. Stock Footage, like public domain music, is acceptable if all rights are attained and creative decisions are made within the 72 hours of the contest.
WHAT CAN MY MOVIE BE ABOUT?
Your team specific criteria will be revealed at the Launch.
WHAT STOPS PEOPLE FROM JUST ADAPTING AN ALREADY ESTABLISHED IDEA INTO A MOVIE BASED AROUND YOUR CRITERIA?
We hope that writers and filmmakers will use our festival as a tool to create NEW works, and not just a way to garner attention for a previously thought out work. Not only will passing something off as “new” forever damage your street cred, ultimately you are selling yourself short by not utilizing the energy surrounding the festival to create something new. Make your awesome Oscar Bait of a short on your own time. This thing’s for the brave souls. We also add further “Proof” elements in the mix to help prevent those teams that can’t step it up and do this thing the way it was meant to be done.
HOW MUCH YOU GIVING AWAY THIS YEAR?
We’ll be giving away the Metal Awards designed by Roland Metal Art to every winner. We’ll also be giving away prizes to SOME awards, which we are rounding up as we speak. Become a Prize Sponsor and help local artists while getting some great exposure!
DO I REALLY HAVE TO MAKE THE MOVIE WITHIN 72 HOURS?
Yes. Don’t sell yourself short, or try to game the system by cheating. Your reputation will be forever tarnished and “you’ll never work in this town again”, said some producer somewhere, but that’s pretty much how it works here too. Teams like to police each other, and if they catch you doing something, you’ll be the wrong kinda talk around the Fest.
DO I KEEP ALL THE RIGHTS TO MY FILM?
Of Course. The film remains your own and after screening you can do whatever you want with it. We reserve the right to screen the version turned in at 72 Film Fest events, for promotional purposes and use it in our DVD and online compilations. Our agreement is online so you and your lawyer (or cousin that claims to be one because he’s seen almost every episode of Night Court) can go over it.
WHERE IS THIS THING?
I WANT DETAILS. HOW MUCH? WHERE DO I BUY TICKETS? WHAT’S HAPPENING? WHAT DO I GET FOR MY COLD HARD CASH?
12 bucks each day. 17 bucks for both. October 13th-14th. Your ticket gets you into the screenings and the After Party.
Tickets are available at the Weinberg Center box office. Call the Box Office at (301)228-2828. In person avoids the online surcharge (which doesn’t go to us). We recommend buying tickets BEFORE the date of the show as the line can get kinda long.
WHAT’S HAPPENING ON WHAT NIGHT AGAIN?
Right now it looks like everything will screen Friday Night, with Finalists, Audience Choice, Award Ceremony and Surprises screening Saturday Night. For 2017 we also have a SNEAK PEEK of a local feature film THE SISTERHOOD OF THE GIRLS WHO WON’T DATE ME. on Saturday at 3pm.
I WANT SOME MERCH. CAN I HAVE SOME MERCH ALREADY?
For 2017- we will have some artwork, T-Shirts and other swag. Some is even gonna be freeeee.
WHO ARE YOU GUYS?
72 Fest is made up of filmmakers, writers and other artists…. some have even participated in previous 72 Film Fests and came on board after they retired their team. Formed in 2006, 72 Fest has the mission “To provide an outlet for the creative community by hosting challenges in the fields of filmmaking, stage, writing, and other arts.”
WHAT IS THE THEME?
The 2017 theme is CONSTELLATIONS.
WHAT IS THE CRITERIA THIS YEAR?
All will be revealed at the Launch.
MY QUESTION SEEMS NOT TO BE FREQUENT ENOUGH TO GET COVERAGE IN YOUR FAQ, WHAT GIVES? AM I WEIRD FOR WANTING TO KNOW SOMETHING ELSE?
First off you’re not weird. I really wish you wouldn’t be so down on yourself all the time. But if you have a question that isn’t listed here – No worries, mate. Use the contact page, and we’ll answer you with swiftness rivaled only to that of an African Swallow.
The Fest has Passed...